
Today marks 100 years since the birth of Genrikh Altshuller.
I never met him.
The closest I came was a rumour that he might sign copies of his newly published ‘Innovation Algorithm’ book published through the Altshuller Institute in the US. The year before my first TRIZCON in 1999. Sadly, he passed away before the books could be shipped back and forth across the Atlantic. The thought that I might acquire a copy of a signed book from the man I’d admired for so long turned out to be a momentary wish that would never be granted.
And yet, in a strange way, I feel like I have spent much of the last 35 years in conversation with him. It began in 1991, when I was working at Rolls-Royce. I first came across the 40 Inventive Principles of TRIZ. They immediately intrigued me. Here was a suggestion – an outrageous suggestion, to some of my colleagues – that invention might not simply be a mysterious act of genius. Perhaps there were patterns. Perhaps the same kinds of problems had been solved before. Perhaps there was something systematic to be learned from the world’s inventors.
I wanted to know more. I needed to know more. My search led me to Altshuller’s Creativity As An Exact Science. The Rolls-Royce library requested a copy on loan from the British Library. Six weeks later, it arrived. I remember looking at it and seeing that I was the third person in Britain ever to have opened it. Convinced that this might be the only copy in the country, I am now slightly embarrassed to admit that I surreptitiously photocopied every page and made my own copy. That copy became rather important.
“Nothing invented outside Rolls-Royce could possibly be any good”
Rolls-Royce in those days was a rather arrogant company. Or perhaps, more accurately, the engineers were. There was a fairly widespread belief that if something had been invented outside Rolls-Royce, it probably wasn’t good enough. And so, when I began trying to spread the word about Altshuller’s extraordinary proposition – that creativity could be an exact science – the scepticism was almost absurd. Surely creativity couldn’t be systematised. Surely there couldn’t possibly be only 40 Inventive Principles. Surely somebody somewhere had misunderstood something.
So we did what Rolls-Royce engineers do. We spent the next three years trying to prove him wrong. We looked for more principles. We challenged the patterns. We tested the ideas against real problems. We searched for the holes in the theory.
And, along the way, something rather inconvenient happened. We generated dozens of patent applications. Eventually, we began to realise that we’d been asking the wrong question. The question wasn’t, ‘was Altshuller right?’ The real question was, ‘was it useful? That distinction has stayed with me ever since.
No methodology is the truth. No model captures the entire complexity of reality. No set of principles can possibly describe every act of invention. But if a body of knowledge repeatedly helps people solve problems that they were previously unable to solve, perhaps arguing about whether it is perfectly right is missing the point.
Altshuller’s work was useful. Very useful.
The book in the drawer
After the initial excitement, something rather curious happened. Altshuller’s work faded from view. I don’t know whether other engineers in the Company had the same experience, but I found myself returning to Creativity As An Exact Science whenever I needed fresh impetus on a difficult problem.
Only I did it quietly. The illegally copied book lived hidden in a drawer in my desk. Perhaps that was because the scepticism had never entirely gone away. Perhaps it was simply easier not to have the conversation. But whenever conventional thinking ran out of ideas, there was Altshuller, waiting in the drawer. And, remarkably often, he had something useful to say.
Building on the foundation
When I eventually left Rolls-Royce to establish what has now become Systematic Innovation, I knew exactly where the foundations would lie. Altshuller’s work would be central. But we also knew that the work could not simply stand still. Altshuller had started something enormous. He had demonstrated that invention could be studied systematically, that recurring patterns could be discovered, and that those patterns could be made available to other people.
The research needed to continue. And the tools needed to become easier to use and easier to teach. There was another principle that mattered to us too. Altshuller had always made clear that his work was intended for the benefit of mankind. So we made an early decision: once our research had paid for itself, the resulting tools would be made freely available. It seemed the right way to honour the spirit in which the work had begun.
The great unfinished story
After Altshuller’s death, something else became apparent. The TRIZ world had lost its centre of gravity. We tried, in our own small way, to help reunite it. The real competition, as far as we were concerned, wasn’t another group of TRIZ practitioners. It was Big Consulting and all the organisations offering clients expensive but largely conventional ways of thinking about innovation. But the vacuum left by Altshuller’s passing created a different dynamic. The anointed TRIZ Masters often seemed happier arguing with one another.
That always struck me as a tragedy. Here was a body of knowledge intended to help humanity solve difficult problems… and too much energy was being spent debating ownership of the intellectual territory.
We even at one point tried to raise the money to make a film about Altshuller’s life. There was no interest. Which also remains astonishing to me. His story was – and still is – an extraordinary one. A young Soviet engineer who decided to study invention. A man who wrote letters to inventors asking how they had made their discoveries. A researcher who began to uncover patterns in millions of patents. A thinker who dared to suggest that creativity might be made systematic. And spent time in a Gulag for his troubles. If ever there was a story that deserved to be told on film, surely this is one. Perhaps one day it will be. If there’s any justice it will.
Standing too far ahead of the parade
There is an expression about people who are so far ahead of their time that they appear to be standing alone. I sometimes think Altshuller was standing too far ahead of the parade. His ideas were difficult enough to accept in the middle of the twentieth century. Perhaps they were still too difficult to accept in the first two decades of the twenty-first. And perhaps even now, we haven’t quite caught up with him. But I have a suspicion that we may be getting closer.
The current excitement surrounding artificial intelligence has reopened some very old questions. Can creativity be systematised? Can invention be accelerated? Can we learn from the accumulated knowledge of previous solutions? Can machines help humans navigate the enormous space of possible ideas? These are not entirely new questions. Altshuller was asking them decades ago.
I have heard Satya Nadella quoted as saying that the AI industry may be “one innovation” away from Artificial General Intelligence. I suspect it is probably more like fifty-seven. And I suspect Altshuller knew what eight of them were back in the 1960s.
Such is life.
Some people receive recognition for their world-changing contributions during their lifetime. Others have to wait. Sometimes for decades.
Perhaps his time is coming
I never met Genrikh Altshuller. I never had the opportunity to thank him personally for the direction he gave my career. I never got to tell him about the engineers at Rolls-Royce who spent three years trying to prove him wrong, and accidentally generated dozens of patent applications in the process. I never got to tell him that the book I secretly photocopied in 1991 would become part of the intellectual foundation for an organisation that has now spent decades continuing the research journey he began. And I never got to tell him that, whenever the world seemed to be running out of ideas, I still found myself metaphorically opening that drawer. But perhaps that is the nature of real intellectual influence. You don’t have to meet someone for them to change the way you think.
Altshuller gave me – and a small but eager coterie of others – a different way of looking at invention. Not as magic. Not as a gift bestowed upon a fortunate few. But as something that could be studied. Something that could be understood. Something that could be learned. He called it Creativity As An Exact Science.
Perhaps the science was never going to be entirely exact. But the idea was important enough to change lives. It certainly changed mine. And as we today celebrate the centenary of his birth, I find myself wondering whether the rest of the world may finally be ready to catch up. One day soon, I think, Altshuller’s time will come.
It would be nice to think that his hundredth birthday might mark the tipping point.
Happy centenary, Genrikh.
Here’s to the parade finally catching up with you.
















